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Showing posts with label Emeryville Arts Center. Show all posts
Showing posts with label Emeryville Arts Center. Show all posts

Friday, January 16, 2015

Emeryville Wins Court Appeal on Three Redevelopment Projects

Bike/Ped Bridge & Art Center Back on Track 

Stanley Mosk Library and Courts Bldg
by Coolcaesar. (Wikimedia Commons)
The California Court of Appeal in Sacramento today affirmed a lower court's ruling in favor of Emeryville regarding three challenged redevelopment projects. The State Department of Finance had sought to block the projects and return the related money to state coffers. The on again off again projects were intended to fund the 53rd Street bridge over the railroad tracks to Bay Street known as the South Bayfront Bike/Ped Bridge, the Art Center, and the so-called "Transit" Center next to the Amtrak Station.

The Court of Appeal's decision interprets the relevant state statutes in Emeryville's favor, finding that Emeryville, as Successor to the Redevelopment Agency, was entitled to re-enter the agreements necessary to continue pursuing these redevelopment projects. These agreements were also agreed to by the Oversight Committee and the court concluded they were within their rights to do so.

While the former Redevelopment Agency's contributions to the Bike/Ped Bridge and Art Center might not be enough to fund these projects completely, this win certainly puts those projects on a sounder financial footing. The so-called "Transit" Center with its overwhelming commercial purpose and backers was likely to be built regardless of this outcome, but now we can rest easy that a developer will likely get one last giveaway from Emeryville's former Redevelopment Agency.

It is not yet clear whether the State will seek to appeal this decision to the California Supreme Court.

The roller coaster ride of these project's approvals can be viewed:
South Bayfront Bike /Ped Bridge HERE and HERE
Art Center HERE and HERE
"Transit" Center HERE and HERE

Thursday, August 23, 2012

Council Grants Final Proceeds From Former Redevelopment Agency

The End Of The Redevelopment Agency:
Center Of Community Life Gets $21 Million, The Rest Of The Town To Share $3 Million

The Emeryville city council has finally brought to a close the torturous and circuitous path of the money left over from the former Emeryville Redevelopment Agency.  Last Tuesday, with the State of California's OK, the council voted to spend the former Redevelopment Agency's final $24.5 million; the lion's share going to the Center of Community Life.  The Center, a schools/community project on San Pablo Avenue will get $21.2 million and the remaining $3.3 million will be shared by the proposed Arts Center at the Civic Center, the bike/pedestrian bridge across the railroad tracks at Bay Street and Wareham Development's Transit Center on Hollis Street.

The council reserved the right to decide later about how to dole out the $3.3 million for the three projects.  That money, apportioned for the Arts Center, the Transit Center and the bike/ped bridge will not be enough to complete any of the projects, no matter how the council decides on how to allot it among them, it should be noted.

The $24.5 million left standing from the Redevelopment Agency is but a whisper of its previous prodigious self when the Agency was still extant and flush with tax increment proceeds.  The take-over of redevelopment agencies across the State netted a lawsuit from the City of Emeryville recently.   After a protracted back and forth with Emeryville and other towns, Sacramento finally passed Assembly Bill 1484 releasing some of the unspent bond proceeds from the former Redevelopment Agency.  In Emeryville's case, that amounted to $24.5 million.  The council then voted on the beneficiaries of the last of the money and entered their intentions with the State, who now has 45 days to approve the plan.  City officials told the Tattler the approval will likely be a formality.

The list of four capital improvements was reduced by the so-called Successor Agency that replaced the Emeryville Redevelopment Agency from a wish list of more than $200 million worth of improvements formerly in the capital improvements program.  The wish list, vetted by the residents in two Saturday pivotal meetings some years back, included the Arts Center, the Bike/Ped Bridge but not the Transit Center.  Many other projects identified by residents and placed in the program, including two other major bike/ped bridges in town and a large central park, didn't make the cut by the Successor Agency and the Oversight Board set up by the State to wind down the Redevelopment Agency.

The former Redevelopment Agency funded its capital improvement programs with proceeds from improved receipts by virtue of the fact that the projects it funded increased their property value and the increase meant higher taxes paid to the Agency.  Those increases are called tax increments.  Sacramento seized redevelopment agencies statewide since provisions in their charters defunded schools and other municipal essentials causing Sacramento to pick up the slack.  The State budget crisis prompted the action.

The Center of Community Life, a school and community center will use the $21 million to build the community part of the project including a new recreation center and possibly a library, located on the San Pablo Avenue site.
The schools portion of the project has been experiencing major funding problems owing to the reduced bond capacity of Emeryville.  Some $48 million has been raised so far to replace the existing high school but School District officials are seeking an extra $20 million to close the existing elementary school and consolidate it in a "co-location" with the high school.  The District is considering using a controversial bond financing scheme that would mean a $107 million payback Emeryville taxpayers would have to make on that last $20 million to close the elementary school.

Tuesday, September 20, 2011

Center For The Arts Director Resigns

Emeryville Center for the Arts Director Sees Looming Problems, Resigns 

The nascent Emeryville Center for the Arts received a severe blow with the sudden resignation of its Executive Director Sheila Bergman, City Manager Pat O'Keeffe told the city council Monday.  Ms Bergman expressed doubt that the project will be realized anytime soon due to Redevelopment Agency restructuring and she expressed fear that her job would not be secure, according to Mr O'Keeffe.
Slipping away?
We're already in for $5.6 million.

The setback for the center makes the proposed fall 2012 opening date almost certainly impossible.  Mr O'Keeffe told the council the news however is not necessarily fatal for the $15 million center but he indicated with the fiscal uncertainty, due to a lawsuit pending in Sacramento brought by the California Redevelopment Agency Association, it would be difficult to recruit a replacement director.
Ms Bergman expressed concern that funding would not materialize for the project as a contributing factor in her resignation.

Emeryville has already spent $3.6 million to acquire the 30,000 square foot United Stamping building at 4060 Hollis Street, behind City Hall for the Center and another $2 million, given to Pixar as part of a deal meant to help acquire land for their campus expansion several years ago and then "donated" by Pixar for the Center.

Ms Bergman was brought on the team for the Center for the Arts in May 2010 with much fanfare.  One of her first acts was to assist in the selection of San Francisco's Jensen Architects for the project, a choice architecture critic John King called possibly the "Bay Area's most intriguing architectural competition in memory".
The resignation is effective immediately and Ms Bergman has already accepted "another assignment" in Los Angeles according to Mr O'Keeffe.

Pat O'Keeffe told the council in a letter Monday that the Emeryville Center for the Arts Board of Directors would need to "regroup" to develop a new schedule of implementation in the wake of the set back.

Tuesday, December 14, 2010

Arts Center Plan Selected

Re-printed from the San Francisco Chronicle:

Striking plan selected for Emeryville arts center








IMAGES
Jensen Architects' concept for the Emeryville Center for the Arts includes a glass-encased theater rising alongside an open-aired terrace within the shell of a former manufacturing building.
The architect of the popular sculpture garden at the San Francisco Museum of Modern Art has a new cultural gig: the new Emeryville Center for the Arts.
The board of the young institution selected Jensen Architects of San Francisco after a design competition among six small but well-regarded Bay Area firms. The goal is for the center to open the new $12 million complex in the fall of 2012.
"We want to move very quickly," said Sheila Bergman, the ECA's executive director.
The center will occupy the shell of a one-story brick industrial building at 40th and Hollis streets. Within it, Jensen proposes to carve an open-air terrace flanked by a three-story glass cube. The "tower" would contain a theater topped by a column-free space that would be available for everything from exhibitions to private events.
Besides compressing several uses into one, the idea of the cube is to create a visual symbol for the new city-backed institution.
"This should become a landmark beacon, even from the (Interstate 80) freeway," said Mark Jensen, whose firm also designed the graduate studios at the California College of the Arts in San Francisco.
Despite a population of less than 12,000, Emeryville is one of the more dynamic cities in today's Bay Area - home to such companies as Pixar and Peet's as well as a large concentration of retail attractions. It's also become a hub for visual artists, and one goal of the center is to make that civic strength more evident throughout the region.

Emeryville Center for the Arts

More information on the center and design competition is at links.sfgate.com/ZKSL.
E-mail John King at jking@sfchronicle.com.
This article appeared on page C - 2 of the San Francisco Chronicle


Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/12/13/BA3C1GQ50H.DTL#ixzz188vLgbjz

Thursday, December 9, 2010

Emeryville Arts Center

Reprint from today's San Fransisco Chronicle:

Architecture competition for Emeryville arts center





Aidlin Darling Design's concept for the Emeryville Center for the Arts includes an option for outdoor movies.
Architectural competitions aren't simply a way for clients and designers to pair off. The best ones open windows of potential, signaling how the future might look and who the architects are that might bring it to life.
That's what is so instructive about the unusual - and unusually public - competition to select an architect for the new Emeryville Center for the Arts.
The six entries now on display at Emeryville City Hall are vibrant provocations, pushing us to rethink how a cultural building can define and engage a community that still is taking shape. But they're also classic examples of information overload. The architects are so eager to make an impression, they don't know when to stop.
The proposed arts center at 40th and Hollis streets would sit next to City Hall in one of the few Bay Area cities that isn't afraid of growth; Emeryville is home to Pixar's gated campus and hundreds of freshly minted townhouses, as well as the faux urbanism of Bay Street along Interstate 80.
This easy-rolling persona creates the sort of atmosphere where the young arts organization - which will occupy a site purchased by the city in 2006 - can take a chance on adventurous design. It restricted the competition to six emerging local firms that haven't yet been able to work at the scale of a complex that would include a 250-seat theater as well as galleries, classrooms, a cafe and space for the city's historical society.
The architects received the competition guidelines in September and presented their designs last week to a competition jury that includes the former city manager and an executive from Pixar. The winner will be announced next week.

Old shell, new moves

The site already contains a building, a one-story brick structure from 1942 that last housed a machine-parts fabricator, and five of the six teams use it as their starting point.
My favorite concept is from Aidlin Darling Design, which contains the theater space within an addition that lifts from the shell accordion-like, edged by a diagonal path to a landscaped roof where outdoor movies could be shown. The overlapped spaces would be inviting, with an architectural form distinctive enough to hold its own amid the visual clutter of nearby blocks.
Functionally, the most intriguing approach belongs to Jensen Architects. The firm bisects the shell with an open terrace running east to west, framed by a theater along one side with a ground-floor glass wall that could part to create an indoor-outdoor performance space within the masonry.
The other four proposals radiate the same sense of ambitious experimentation. They range from the faithful restoration of the original structure by Schwartz and Architecture that would pepper the roof with art installations, to the move by Edmonds + Lee Architects to replace the existing structure with a three-story cube wrapped in metal mesh along 40th Street, making room for a new plaza between the arts center and City Hall.
The common thread in all this? The architects grasp that arts can play a dynamic role as a young city like Emeryville carves out an identity. These aren't static containers for culture; they're meant to send off sparks.

Muddled insights

What's frustrating is the disconnect between the clarity of the design concepts and the overpackaged clutter on display at City Hall.
This is the public face of the competition, a chance for each team to distill its concept on three poster boards. But to varying degrees, each firm responded as though it were trying to dazzle trend-savvy architectural insiders. The boards are jammed with data and diagrams, along with eye-glazing examples of what critic Robert Campbell once called "ArchiSpeak," such as Envelope A+D's explanation that "program clusters create a mutable space in between fostering interconnections and exchange."
I'll take their word for it.
The problem isn't arrogance so much as overenthusiasm. Today's computer technology makes it easy to add one more image to a board, or squeeze in another paragraph by shrinking the point size of the text.
Design students would decode the conceptual barrage in a flash. The rest of us either muddle through or grumble that the images look weird.
But even if you come out more confused than captivated, this competition deserves attention from anyone in the Bay Area who cares about architecture's larger role in society.
Buildings aren't simply vessels to be filled. They can be catalysts for culture and community - and we're lucky to have architects exploring fresh ways for this to happen.

'Architecture Out Loud'

The design concepts for the Emeryville Center for the Arts, will be on display weekdays from 9 a.m. to 5 p.m. through Dec. 17 at Emeryville City Hall, 1333 Park Ave.
-- Information is at www.emeryvillecenterforthearts.org
E-mail John King at jking@sfchronicle.com.


Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/12/08/BAMS1GMJH7.DTL#ixzz17faO5Xds